omgthatdress:

Carolyn Schnurer dress ca. 1950 via The Costume Institute of the Metropolitan Museum of Art

omgthatdress:

Carolyn Schnurer dress ca. 1950 via The Costume Institute of the Metropolitan Museum of Art

omgthatdress:

Pierre Balmain dress ca. 1950-1955 via The Victoria & Albert Museum

omgthatdress:

Pierre Balmain dress ca. 1950-1955 via The Victoria & Albert Museum

ornamentedbeing:

Dress (robe à l’anglaise)
c. 1785-France
Material:  Pale blue striped silk; “compères” front; matching petticoat.
A dress of a blue and pale blue thin-striped pattern, along with a soft luster. In order to pull up the gown’s hem, a cord is attached to it, which makes it possible to wear as robe à la Polonaise, as well. In the latter half of the 18th century, clothing went toward simplification in particular women’s clothing advanced toward a functional direction without the formality. Even textiles for dress with a light texture entered the mainstream. Moreover, the preference to striped patterns that became the fashions that involve all the classes from this period also shows such a tendency.
KCI

ornamentedbeing:

Dress (robe à l’anglaise)

c. 1785-France

Material:  Pale blue striped silk; “compères” front; matching petticoat.

A dress of a blue and pale blue thin-striped pattern, along with a soft luster. In order to pull up the gown’s hem, a cord is attached to it, which makes it possible to wear as robe à la Polonaise, as well. In the latter half of the 18th century, clothing went toward simplification in particular women’s clothing advanced toward a functional direction without the formality. Even textiles for dress with a light texture entered the mainstream. Moreover, the preference to striped patterns that became the fashions that involve all the classes from this period also shows such a tendency.

KCI

oldrags:

Dress, 1840’s

oldrags:

Dress, 1840’s

ornamentedbeing:

c. 1852
The neckline was high except for evenings: as C. W. Cunnington remarks, ‘The high water mark of modesty would ebb after sunset some six inches!’ (A Handbook of English Costume in the 19th Century).

ornamentedbeing:

c. 1852

The neckline was high except for evenings: as C. W. Cunnington remarks, ‘The high water mark of modesty would ebb after sunset some six inches!’ (A Handbook of English Costume in the 19th Century).

Robe a la Francaise 1760-70
Metropolitan Museum

Robe a la Francaise 1760-70

Metropolitan Museum

1790s Dress, Metropolitan Museum of Art

1790s Dress, Metropolitan Museum of Art

Met Museum
“Palomita” Dior Dress 1953-1954

Met Museum

“Palomita” Dior Dress 1953-1954

Dress 1956/57

Dress 1956/57

oldrags:

Dona Marie-Louise Ferdinande de Bourbon, Infante d’Espagne, duchesse de Montpensier by Franz Xaver Winterhalter, 1847, Versailles

oldrags:

Dona Marie-Louise Ferdinande de Bourbon, Infante d’Espagne, duchesse de Montpensier by Franz Xaver Winterhalter, 1847, Versailles