Carolyn Schnurer dress ca. 1950 via The Costume Institute of the Metropolitan Museum of Art
Carolyn Schnurer dress ca. 1950 via The Costume Institute of the Metropolitan Museum of Art
Dress (robe à l’anglaise)
c. 1785-France
Material: Pale blue striped silk; “compères” front; matching petticoat.
A dress of a blue and pale blue thin-striped pattern, along with a soft luster. In order to pull up the gown’s hem, a cord is attached to it, which makes it possible to wear as robe à la Polonaise, as well. In the latter half of the 18th century, clothing went toward simplification in particular women’s clothing advanced toward a functional direction without the formality. Even textiles for dress with a light texture entered the mainstream. Moreover, the preference to striped patterns that became the fashions that involve all the classes from this period also shows such a tendency.
KCI
c. 1852
The neckline was high except for evenings: as C. W. Cunnington remarks, ‘The high water mark of modesty would ebb after sunset some six inches!’ (A Handbook of English Costume in the 19th Century).
Robe a la Francaise 1760-70
Metropolitan Museum
1790s Dress, Metropolitan Museum of Art
Met Museum
“Palomita” Dior Dress 1953-1954
Dress 1956/57
Dona Marie-Louise Ferdinande de Bourbon, Infante d’Espagne, duchesse de Montpensier by Franz Xaver Winterhalter, 1847, Versailles